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In the United States, The New York Times stated that Barker cast "singularly uninteresting actors" while "the special effects aren't bad - only damp". The Washington Post referred to the film as a "dark, frequently disturbing and occasionally terrifying film" but also argued that "Barker's vision hasn't quite made the conversion from paper to celluloid [...] There are some weaknesses, particularly the framing of close-ups and the generic score, but there are some moments of genuinely inventive gore [...] the film falls apart at its climax, degenerating to a surprisingly lame ending full of special effects and triumphant good". Roger Ebert gave the film one-half of a star out of four and deemed it "as dreary a piece of goods as has masqueraded as horror in many a long, cold night. This is one of those movies you sit through with mounting dread, as the fear grows inside of you that it will indeed turn out to be feature length" and that "this is a movie without wit, style or reason, and the true horror is that actors were made to portray, and technicians to realize, its bankruptcy of imagination". Variety stated that Hellraiser is "well made, well acted, and the visual effects are generally handled with skill".
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